๐ฃ๐๐ฅ๐๐๐๐๐ ๐๐: ๐๐ก๐ง๐๐ฅ๐ญ๐ข๐ก๐
10ๆ18ๆฅ(ๅ)
|Noir Row Art Space
Initiative Project by NOIR ROW ART SPACE ๐ญ๐ด ๐ข๐ฐ๐๐ผ๐ฏ๐ฒ๐ฟ - ๐ฏ๐ฌ ๐ก๐ผ๐๐ฒ๐บ๐ฏ๐ฒ๐ฟ ๐ฎ๐ฌ๐ฎ๐ฑ Udon Thani, Thailand ๐ฃ๐๐ฅ๐๐๐๐๐ ๐๐: ๐๐ก๐ง๐๐ฅ๐ญ๐ข๐ก๐ does not position itself as providing answers or conclusions. Rather, it opens a space for stories at risk of vanishing to reappear through art
ๆฅๆใปๅ ดๆ
2025ๅนด10ๆ18ๆฅ 11:00 โ 2025ๅนด10ๆ30ๆฅ 17:30
Noir Row Art Space, Udon Thani, Thailand
ใคใใณใใซใคใใฆ
NOIR ROW ART SPACE Present
The exhibition โ๐ฃ๐๐ฅ๐๐๐๐๐ ๐๐: ๐๐ก๐ง๐๐ฅ๐ญ๐ข๐ก๐โ emerges as a continuation of the project ๐๐ผ๐๐ผ๐๐๐๐: ๐๐๐ ๐๐๐ข๐๐จ๐ช๐ฃ ๐๐ฉ๐๐ฉ๐๐ค๐ฃ ๐ผ๐ง๐ฉ ๐๐ง๐๐๐ก (2019) at the Ramasun Historical Museum, which previously explored contemporary art as a means to generate alternative meanings for the remnants of the radio research station left by the U.S. military during the Vietnam War.
Returning now, ๐ฃ๐๐ฅ๐๐๐๐๐ ๐๐ seeks to explore Udon Thani, a place where powers overlap and meanings are ceaselessly contested. The arrival of the U.S. military did not merely establish bases; it inscribed within the city the imprint of development policy or โPlan Pattanaโ, a crucial mechanism of control exercised through infrastructures: the building of highways, airports, dams, as well as cultural frameworks. These interventions gave rise to new businesses that became sites of leisure for G.I. soldiers; entertainment complexes such as bars, nightclubs, hotels, and cinemas, transforming the economy of Udon Thaniโฆ